Comments for NETLABELS NOISES

Comment on insub38 Nicht Rio – Title turtle by Yannis Frier

Yannis Frier — Fri, 01 Jul 2011 20:41:06 +0000

French review on Improv Sphere :
http://improv-sphere.blogspot.com/2011/07/nicht-rio-title-turtle-insubordinations.html

Comment on eXsitYousicK – a trial a corner a kind by exsityousick

exsityousick — Fri, 24 Jun 2011 07:59:06 +0000

thanks

Comment on bru_LP_07 Precocious Mouse – 2_3/.dll (grey circuits) by Cal Wood

Cal Wood — Fri, 17 Jun 2011 15:01:08 +0000

Grazie!!

Comment on bru_LP_07 Precocious Mouse – 2_3/.dll (grey circuits) by the vanni

the vanni — Thu, 12 May 2011 14:50:10 +0000

roba che graffia il cervello!!!

Comment on zero017r Violet+Bertrand Denzler – The Long March by Daniel Barbiero

Daniel Barbiero — Tue, 04 Jan 2011 12:59:01 +0000

Good stuff, this!

Comment on Shsk’h Vol.05 Garth Knox – Solo Viola d’Amore by Ali gateaux

Ali gateaux — Fri, 05 Mar 2010 08:48:27 +0000

super choix d’incise

Comment on Shsk’h Vol.05 Garth Knox – Solo Viola d’Amore by simone

simone — Thu, 28 Jan 2010 15:06:41 +0000

a review…..

http://www.iyezine.com/news/751-garth-knox-solo-viola-d%27amore.htm
thanx

Comment on insubcdr07 HARGREAVES/NOYES/DUPLANT Malachi by dincise

dincise — Mon, 29 Jun 2009 10:14:34 +0000

Malachi, c’est Malachi Favors, contrebassiste de l’Art Ensemble of Chicago depuis sa création en 1967 jusqu’à son décès en 2004. Ce disque est donc un hommage au musicien disparu. Mais le propos n’est pas tant d’emprunter les voies musicales arpentées par Favors que de perpétuer son esprit : celui de la recherche d’un fragile équilibre, d’une musique sur le fil. Il s’agit avec Favors, comme ici avec le contrebassiste Bruno Duplant et ses compagnons, de tenir le jazz à distance mais de rester en son champ, de rester exigent en même temps qu’accessible. Ici, comme là, le contrebassiste est à la fois celui qui emmène les autres musiciens dans des directions aventureuses tout en demeurant un point de repère, un pivot. Ici, c’est lui qui créé le climat, donne le « ton » de chacun des morceaux de ce disque, refusant souvent à sa contrebasse toute résonance, la rendant sèche, acérée, vacillante en même temps que déterminée.
La musique jouée par Bruno Duplant, Phil Hargreaves (saxophones) et Lee Noyes (percussions), est une musique de suspens, où les sons émis ne semblent prendre toute leur valeur qu’en tant que signes annonciateurs de ce qui va suivre. En témoignent les titres des morceaux qui, lus à la suite, offrent un poème. Les trois hommes donnent vie à une musique de l’oubli du monde présent et du temps qui passe – musique de l’intériorité, tout en retenue, à la manière de fantômes ou de lambeaux de mélodies convoqués par cette configuration en trio vieille comme le monde : peaux + souffle + cordes. Elémentaire.

Pierre Lemarchand / Le Son du Grisli.

http://grisli.canalblog.com/archives/2009/06/29/14239006.html

Comment on insubcdr07 HARGREAVES/NOYES/DUPLANT Malachi by insub

insub — Fri, 26 Jun 2009 16:48:30 +0000

This is a piece of modern jazz that I really like. A sax trio that improvises freely, without melody and rhythm, yet with a very controlled and sensitive approach to their music. It all sounds vulnerable and hesititating, which is surprising for musicians that have their background in experimental electronic music and punk, but who play purely acoustic here. The trio consists of Phil Hargreaves on sax, Lee Noyes on percussion and Bruno Duplant on bass. All pieces fall within the same mode of playing: soft, slow, with lots of open spaces and with the three instruments filling the open space with pointillistic phrases and sounds, but sufficiently extended to create a great sense of lyricism. Total free form often leads to a level of abstraction that makes listening difficult, but that is less the case here : the music flows organically, through very concentrated interaction, with lots of respect for each other and the fragile music they create. Yet it intense throughout, and that’s possibly the greatest result of the music : the slow tension full of contradictions between freedom and form, between openness and density, between avant-garde and sometimes simple phrases. But it works. It works really well.

This album is available for free download on the internet, or in hard copy in limited edition. In my humble opinion, this again demonstrates the lack of knowledge of many labels. This trio deserves to be officially released. While the summer jazz festivals are crammed with commercial artists who are hard to classify as jazz, the real creative jazz artists are kept far away from the undiscerning multitudes. Too bad, too bad. How can we bring the new and creative jazz under a broader attention? It was the objective of this blog, but we’re preaching to the converted…

http://freejazz-stef.blogspot.com/2009/06/phil-hargreaves-lee-noyes-bruno-duplant.html

Comment on 12rec.057 Nicolas Bernier + Simon Trottier … et retrouvé en fôret by rodrigo helfenstein

rodrigo helfenstein — Fri, 29 May 2009 03:18:33 +0000

Hello, nice work here!!!
Please, visit our netlabel >> phantasma13.com

cheers